Rick Lundsten

Watercolor Artist | Celebrating Nature’s Water Landscapes

Minnesota’s rich landscapes and abundant waterways serve as the enduring inspiration for watercolor artist Rick Lundsten. Living amidst lakes, rivers, and ponds, Rick naturally draws from this ever-present water element, which flows through his paintings whether depicted explicitly or subtly infused in his technique.

We are honored to share Rick’s story and insight into his artistic process as he continues to explore the interplay of light, water, and landscape through his evocative watercolors.

Medium: Watercolor

Location: Minnesota

Theme: Nature, Water

Notable: Louvre 2024 exhibit

Interview with Rick Lundsten


1. What led you to choose watercolor as your main medium, and what advice would you give to artists still searching for their own best fit?

I like the versatility and clean, reusable nature of the medium. I would tell artists to paint what they want and how they want to paint.

“Secured”

2. Can you walk us through your creative process from idea to finished piece?

I generally work from photos I’ve taken. I prefer doing scenes that include water, so depending on the nature of the piece I’m trying to create, I alter the scenes lighting and setting to fit the theme.

“A New Horizon” watercolor/gouache

3. What materials and tools do you use most often, and are there any you consider essential to your work?

I paint with watercolors and gouache and use a wide variety of brushes to obtain the desired results.

“Bridge Over Troubled Water” watercolor/gouache

4. What’s the most challenging part of creating art for you, and how do you overcome it?

My work is detailed and labor intensive, so it takes a long time to complete a piece. I try to devote a certain amount of hours weekly at the easel.

“Edna G” watercolor/gouache

5. What’s the biggest lesson you’ve learned about working with watercolor that you wish you had known when you started?

Not worry about conventional thinking and “rules” of watercolor.  Unlike other endeavors such as the fields of science or engineering, the techniques and methods in watercolor are secondary in importance to the result.

“Storm Warning” watercolor/gouache

6. What steps have been most effective for you in getting your work noticed and building a following?

I was fortunate enough to have participated in the Contemporary Masters of Modern Art Festival at the Louvre in Paris last year.  The notoriety received from participating in this show has brought significant results in gaining interest in my work.

“Chicago Lighthouse” watercolor/gouache

7. If you could give one piece of advice to a watercolor artist who wants to take their work/career to the next level, what would it be?

Don’t get too caught up in trying to paint like other artists or in what they paint. They do what they do, and they do it their way. Do what you do…how you do it.

“Phelps in the Fall”

Portfolio